Italian Baroque Era Painter, 1575-1642 Italian painter, draughtsman and etcher. He was one of the greatest and most influential of the 17th-century Italian painters, whose sophisticated and complex art dominated the Bolognese school. A classicizing artist, deeply influenced by Greco-Roman art and by Raphael but also by the mannered elegance of Parmigianino's paintings, he sought an ideal beauty; his work was especially celebrated for its compositional and figural grace. In his religious art he was concerned with the expression of intense emotion, often charged with pathos; according to his biographer Malvasia, he boasted that he 'could paint heads with their eyes uplifted a hundred different ways' to give form to a state of ecstasy or divine inspiration.  Related Paintings of RENI, Guido :. | Hl. Matthaus Evangelist und der Engel | Moses rty | Ecce Homo | St Mary Magdalene | Atalanta and Hippomenes dre6 |
Related Artists:
Jose del Castillo
1737-1793 Spanish Jose del Castillo Location a Spanish painter and a leader of the artistic movement Illustrious Absolutism. Many of his paintings were done on tapestries. Castillo made many attempts to become Royal Painter for the Spanish monarchy, but he was never successful. This was not due to a lack of talent, but rather because Castillo allied himself with the wrong noble. His patron, the Earl of Floridablanca, feuded bitterly with the Earl of Aranda. The Earl of Aranda was favored by King Carlos III, and as a result, Ram??n Bayeu (Aranda favorite painter) became Royal Painter. After Carlos III died, Castillo tried again to become Royal Painter. Unfortunately, the new monarch, Carlos IV, decided to leave the position of Royal Painter vacant.
Matthew Ridley Corbet,ARA
1850-1902 was a Victorian neoclassical painter who attended classes at the Slade School of Art under Alexander Davis Cooper and later at the Royal Academy Schools under Frederic Leighton, President of the Academy. Corbet went to Italy in 1880 and met Giovanni Costa, one of Leighton's friends in Rome. For the next three years he stayed and painted with Costa, eventually becoming one of the leading figures of the Macchiaioli school. He concentrated on Italian landscapes and exhibited at the Grosvenor Gallery, the New Gallery, the Royal Academy and the Paris Salon.
Sir Edward Coley Burne-Jones
British Pre-Raphaelite Painter, 1833-1898 English painter and decorative artist. He was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the Aesthetic Movement and the history of international Symbolism.